{"version":"1.0","provider_name":"w-l-c","provider_url":"https:\/\/w-l-c.be\/fr\/","author_name":"Aurore Engelen","author_url":"https:\/\/w-l-c.be\/fr\/author\/aurore-engelen\/","title":"Capsule #64, septembre\/octobre 2017: \"Tueurs\" et \"Le Fid\u00e8le\" - w-l-c","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ghQfNtJFsg\"><a href=\"https:\/\/w-l-c.be\/fr\/capsule-64-septembreoctobre-2017-tueurs-fidele\/\">Capsule #64, septembre\/octobre 2017: \u00ab\u00a0Tueurs\u00a0\u00bb et \u00ab\u00a0Le Fid\u00e8le\u00a0\u00bb<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/w-l-c.be\/fr\/capsule-64-septembreoctobre-2017-tueurs-fidele\/embed\/#?secret=ghQfNtJFsg\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Capsule #64, septembre\/octobre 2017: \u00ab\u00a0Tueurs\u00a0\u00bb et \u00ab\u00a0Le Fid\u00e8le\u00a0\u00bb\u00a0\u00bb &#8212; w-l-c\" data-secret=\"ghQfNtJFsg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/w-l-c.be\/wp-content\/uploads\/2017\/09\/Capture-d\u2019e\u0301cran-2017-09-26-a\u0300-15.33.24.jpg","thumbnail_width":1792,"thumbnail_height":967,"description":"Au programme de cette 64\u00e8me capsule, deux films belges qui ont cr\u00e9\u00e9 l&rsquo;\u00e9v\u00e9nement lors du dernier festival de Venise: Tueurs de Fran\u00e7ois Troukens et Jean-Fran\u00e7ois Hensgens, et Le Fid\u00e8le de Micha\u00ebl Roskam. Tueurs Petite dans la grande histoire,\u00a0Tueurs\u00a0plonge son h\u00e9ros, Frank Valken, au coeur d\u2019une machination sur fond d\u2019histoire contemporaine belge men\u00e9e tambour battant.\u00a0Polar haletant,\u00a0Tueurs\u00a0est &hellip;"}