{"version":"1.0","provider_name":"w-l-c","provider_url":"https:\/\/w-l-c.be\/fr\/","author_name":"Aurore Engelen","author_url":"https:\/\/w-l-c.be\/fr\/author\/aurore-engelen\/","title":"\"Hellhole\", l'\u00e2me d'une ville meurtrie - w-l-c","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"0iN2NeXa04\"><a href=\"https:\/\/w-l-c.be\/fr\/hellhole-ville-meurtrie\/\">\u00ab\u00a0Hellhole\u00a0\u00bb, l&rsquo;\u00e2me d&rsquo;une ville meurtrie<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/w-l-c.be\/fr\/hellhole-ville-meurtrie\/embed\/#?secret=0iN2NeXa04\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0\u00ab\u00a0Hellhole\u00a0\u00bb, l&rsquo;\u00e2me d&rsquo;une ville meurtrie\u00a0\u00bb &#8212; w-l-c\" data-secret=\"0iN2NeXa04\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/w-l-c.be\/wp-content\/uploads\/2019\/01\/HellholeLubnaAzabal.jpg","thumbnail_width":720,"thumbnail_height":280,"description":"Hier \u00e0 la Berlinale \u00e9tait pr\u00e9sent\u00e9 Hellhole, deuxi\u00e8me long m\u00e9trage de Bas Devos, d\u00e9j\u00e0 prim\u00e9 \u00e0 Berlin en 2014 avec son premier long, Violet. Le film \u00e9tait montr\u00e9 dans la section Panorama. C&rsquo;est peu de dire que les attentes \u00e9tait \u00e9lev\u00e9es tant Violet repr\u00e9sentait pour beaucoup un choc esth\u00e9tique in\u00e9dit, r\u00e9miniscent pour certain du travail &hellip;"}