{"version":"1.0","provider_name":"w-l-c","provider_url":"https:\/\/w-l-c.be\/fr\/","author_name":"Philippe.Pierquin","author_url":"https:\/\/w-l-c.be\/fr\/author\/philippe-pierquin\/","title":"La fantastique mue du cin\u00e9ma belge - w-l-c","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"a0yj7Dvdi6\"><a href=\"https:\/\/w-l-c.be\/fr\/la-fantastique-mue-du-cinema-belge\/\">La fantastique mue du cin\u00e9ma belge<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/w-l-c.be\/fr\/la-fantastique-mue-du-cinema-belge\/embed\/#?secret=a0yj7Dvdi6\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0La fantastique mue du cin\u00e9ma belge\u00a0\u00bb &#8212; w-l-c\" data-secret=\"a0yj7Dvdi6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/w-l-c.be\/wp-content\/uploads\/2010\/12\/2015-12-01_14h05_38.jpg","thumbnail_width":430,"thumbnail_height":194,"description":"La d\u00e9mocratisation des moyens de tournage est en train de changer la donne jusque dans le cin\u00e9ma belge qui correspond de moins en moins aux sch\u00e9mas r\u00e9ducteurs qu\u2019un public parfois peu au courant (mais \u00e7a change) avait tendance \u00e0 lui attribuer. Les deux pieds dans l\u2019\u00e8re num\u00e9rique, de jeunes r\u00e9alisateurs peuvent aujourd\u2019hui tourner des courts, &hellip;"}