{"version":"1.0","provider_name":"w-l-c","provider_url":"https:\/\/w-l-c.be\/fr\/","author_name":"Aurore Engelen","author_url":"https:\/\/w-l-c.be\/fr\/author\/aurore-engelen\/","title":"\"Overseas\", l'exil au f\u00e9minin pluriel - w-l-c","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YJupUmF6QH\"><a href=\"https:\/\/w-l-c.be\/fr\/overseas-lexil-au-feminin-pluriel\/\">\u00ab\u00a0Overseas\u00a0\u00bb, l&rsquo;exil au f\u00e9minin pluriel<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/w-l-c.be\/fr\/overseas-lexil-au-feminin-pluriel\/embed\/#?secret=YJupUmF6QH\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0\u00ab\u00a0Overseas\u00a0\u00bb, l&rsquo;exil au f\u00e9minin pluriel\u00a0\u00bb &#8212; w-l-c\" data-secret=\"YJupUmF6QH\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/w-l-c.be\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/w-l-c.be\/wp-content\/uploads\/2019\/07\/overseas-stills_2019-07-03_1.17.1.jpg","thumbnail_width":1998,"thumbnail_height":1080,"description":"Pr\u00e9sent\u00e9 en avant-premi\u00e8re mondiale au Festival de Locarno, Overseas, deuxi\u00e8me documentaire de Sung-A Joon,\u00a0dresse le portrait d\u2019une immigration \u00e9conomique au f\u00e9minin peu visible, celle de ces femmes philippines qui s\u2019exilent au service de riches \u00e9trangers pour nourrir leur famille. H\u00e9ro\u00efnes de la nation \u00ab\u00a0Ces femmes sont des h\u00e9ro\u00efnes de la nation\u00a0\u00bb. Ces par ces mots &hellip;"}