{"version":"1.0","provider_name":"w-l-c","provider_url":"https:\/\/w-l-c.be\/fr\/","author_name":"Aurore Engelen","author_url":"https:\/\/w-l-c.be\/fr\/author\/aurore-engelen\/","title":"\"La Part Sauvage\", portrait d'une fragile r\u00e9insertion - w-l-c","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tjs32MAlZP\"><a href=\"https:\/\/w-l-c.be\/fr\/part-sauvage-portrait-dune-fragile-reinsertion\/\">\u00ab\u00a0La Part Sauvage\u00a0\u00bb, portrait d&rsquo;une fragile r\u00e9insertion<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/w-l-c.be\/fr\/part-sauvage-portrait-dune-fragile-reinsertion\/embed\/#?secret=tjs32MAlZP\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0\u00ab\u00a0La Part Sauvage\u00a0\u00bb, portrait d&rsquo;une fragile r\u00e9insertion\u00a0\u00bb &#8212; w-l-c\" data-secret=\"tjs32MAlZP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/w-l-c.be\/wp-content\/uploads\/2017\/10\/PartSauvage.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"La Part Sauvage, premier long m\u00e9trage de Gu\u00e9rin van de Vorst, \u00e9tait pr\u00e9sent\u00e9 jeudi soir au Festival de Namur dans le cadre de la Comp\u00e9tition 1\u00e8re Oeuvre. Un film fort et subtil \u00e0 la fois sur la difficile r\u00e9insertion d&rsquo;un jeune ex-d\u00e9tenu en rupture avec la soci\u00e9t\u00e9, qui se d\u00e9couvre p\u00e8re. Gu\u00e9rin van de Vorst &hellip;"}