{"id":201641,"date":"2017-07-27T13:21:46","date_gmt":"2017-07-27T11:21:46","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=201641\/"},"modified":"2017-07-27T13:21:46","modified_gmt":"2017-07-27T11:21:46","slug":"cinema-belge-moi-ep-10-frederic-fonteyne","status":"publish","type":"post","link":"https:\/\/w-l-c.be\/fr\/cinema-belge-moi-ep-10-frederic-fonteyne\/","title":{"rendered":"Le cin\u00e9ma belge et moi, \u00e9p.10: Fr\u00e9d\u00e9ric Fonteyne"},"content":{"rendered":"<p><strong>On retrouve aujourd&rsquo;hui Fr\u00e9d\u00e9ric Fonteyne, qui pr\u00e9sente dans le cadre de l&rsquo;op\u00e9ration 50\/50 son deuxi\u00e8me long m\u00e9trage, <em>Une liaison pornographique<\/em> (Prix d&rsquo;interpr\u00e9tation f\u00e9minine pour Nathalie Baye \u00e0 la Mostra de Venise). Il revient pour nous sur l&rsquo;extraordinaire effervescence qui agitait le cin\u00e9ma belge en 1999, et des cin\u00e9ma belges qui l&rsquo;inspirent.<\/strong><\/p>\n<h4>Y&rsquo;a-t-il un cin\u00e9ma belge?<\/h4>\n<p><iframe loading=\"lazy\" title=\"Fr\u00e9d\u00e9ric Fonteyne: Etre belge, c\u2019est inde\u0301finissable\" width=\"618\" height=\"348\" src=\"https:\/\/www.youtube.com\/embed\/_GQt4R9vbPY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4>1999: l&rsquo;effervescence<\/h4>\n<p><iframe loading=\"lazy\" title=\"Fr\u00e9d\u00e9ric Fonteyne:  Un si petit pays avec une si belle filmographie\" width=\"618\" height=\"348\" src=\"https:\/\/www.youtube.com\/embed\/3hMbFoYk8TY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h4>Les cin\u00e9mas belges qui m&rsquo;inspirent<\/h4>\n<p><iframe loading=\"lazy\" title=\"Fr\u00e9d\u00e9ric Fonteyne:  Jaco, Benoi\u0302t et les Dardenne\" width=\"618\" height=\"348\" src=\"https:\/\/www.youtube.com\/embed\/44VxrThlrnI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On retrouve aujourd&rsquo;hui Fr\u00e9d\u00e9ric Fonteyne, qui pr\u00e9sente dans le cadre de l&rsquo;op\u00e9ration 50\/50 son deuxi\u00e8me long m\u00e9trage, Une liaison pornographique (Prix d&rsquo;interpr\u00e9tation f\u00e9minine pour Nathalie Baye \u00e0 la Mostra de Venise). Il revient pour nous sur l&rsquo;extraordinaire effervescence qui agitait le cin\u00e9ma belge en 1999, et des cin\u00e9ma belges qui l&rsquo;inspirent. Y&rsquo;a-t-il un cin\u00e9ma belge? &hellip;<\/p>\n","protected":false},"author":343,"featured_media":201642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1978],"tags":[2054,721,2427],"class_list":["post-201641","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-interviews","tag-50cinquante","tag-frederic-fonteyne","tag-une-liaison-cinematographique"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Le cin\u00e9ma belge et moi, \u00e9p.10: Fr\u00e9d\u00e9ric Fonteyne - w-l-c<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le cin\u00e9ma belge et moi, \u00e9p.10: Fr\u00e9d\u00e9ric Fonteyne - w-l-c\" \/>\n<meta property=\"og:description\" content=\"On retrouve aujourd&rsquo;hui Fr\u00e9d\u00e9ric Fonteyne, qui pr\u00e9sente dans le cadre de l&rsquo;op\u00e9ration 50\/50 son deuxi\u00e8me long m\u00e9trage, Une liaison pornographique (Prix d&rsquo;interpr\u00e9tation f\u00e9minine pour Nathalie Baye \u00e0 la Mostra de Venise). 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