
{"id":46344,"date":"2014-10-01T07:55:43","date_gmt":"2014-10-01T05:55:43","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=46344"},"modified":"2014-10-01T08:04:30","modified_gmt":"2014-10-01T06:04:30","slug":"tokyo-anyway-vie-trente-ans","status":"publish","type":"post","link":"https:\/\/w-l-c.be\/fr\/tokyo-anyway-vie-trente-ans\/","title":{"rendered":"Tokyo Anyway : la vie \u00e0 trente ans"},"content":{"rendered":"<p>D\u00e9couvert\u00a0au festival du film francophone de Namur, <i>Tokyo Anyway <\/i>sort en salles ce mercredi 1er octobre.<\/p>\n<p><!--more--><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><i>Tokyo Anyway<\/i> n\u2019est pas un film classique, c\u2019est une exp\u00e9rience collective, un exercice de style men\u00e9 par un r\u00e9alisateur aventurier qui a co-\u00e9crit non un sc\u00e9nario, mais un canevas pour une bande de com\u00e9diens trentenaires qui le fascinait. \u00c0 l\u2019int\u00e9rieur de ces cadres plus ou moins d\u00e9finis, les sc\u00e8nes que l\u2019on voit dans le film ont \u00e9t\u00e9 plus ou moins improvis\u00e9es.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.cinevox.be\/tokyo-anyway-vie-trente-ans\/dsc01992\/\" rel=\"attachment wp-att-46345\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-46345\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/2013\/10\/DSC01992.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/DSC01992.jpg 800w, https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/DSC01992-360x270.jpg 360w, https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/DSC01992-300x225.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Les points de vue ici sont multiples, ax\u00e9s sur quatre jeunes adultes qui malgr\u00e9 leur \u00e2ge identique sont \u00e0 des stades diff\u00e9rents de leur vie\u00a0: l\u2019un est mannequin et sa carri\u00e8re est sur le point de d\u00e9coller&#8230; \u00e0 Tokyo, sa copine est dans une autre \u00e9nergie\u00a0: elle a envie de construire un couple et un foyer, mais sent bien que son r\u00eave lui \u00e9chappe. Le troisi\u00e8me personnage, fonctionnaire \u00e0 la commission europ\u00e9enne, voit ses r\u00eaves de changements positifs bris\u00e9s menus par des lobbyistes carnassiers\u00a0; le quatri\u00e8me, en rupture avec sa famille, d\u00e9couvre que son p\u00e8re vient de mourir en lui l\u00e9guant une fortune.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.cinevox.be\/tokyo-anyway-vie-trente-ans\/1238965_572027722859052_1005306962_n\/\" rel=\"attachment wp-att-46347\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-46347\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/2013\/10\/1238965_572027722859052_1005306962_n-800x328.jpg\" alt=\"\" width=\"640\" height=\"262\" srcset=\"https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1238965_572027722859052_1005306962_n-800x328.jpg 800w, https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1238965_572027722859052_1005306962_n-480x197.jpg 480w, https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1238965_572027722859052_1005306962_n.jpg 960w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Les questions que pose le r\u00e9alisateur sont vari\u00e9es\u00a0: comment vivre \u00e0 trente ans dans une soci\u00e9t\u00e9 aussi format\u00e9e\u00a0? Comment r\u00e9ussir \u00e0 mener une vie de couple\u00a0? Et, plus prosa\u00efquement, comment communiquer quand chacun se retrouve dans son propre univers en perp\u00e9tuel d\u00e9calage de ses proches\u00a0?<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.cinevox.be\/tokyo-anyway-vie-trente-ans\/1275040_578184642243360_2010991987_o\/\" rel=\"attachment wp-att-46349\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-46349\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/2013\/10\/1275040_578184642243360_2010991987_o-800x329.jpg\" alt=\"\" width=\"640\" height=\"263\" srcset=\"https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1275040_578184642243360_2010991987_o-800x329.jpg 800w, https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1275040_578184642243360_2010991987_o-480x197.jpg 480w, https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1275040_578184642243360_2010991987_o.jpg 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Film\u00e9 sans budget, mais avec une \u00e9nergie folle, <i>Tokyo Anyway<\/i> est lui aussi (d\u00e9cid\u00e9ment) un film g\u00e9n\u00e9rationnel. Comme <i>Mobile Home<\/i> de Fran\u00e7ois Pirot, il s\u2019adresse \u00e0 ces trentenaires qui ont le choix entre un moule qui ne leur correspond pas et un vide o\u00f9 tout reste \u00e0 inventer. Cela dit, la comparaison entre les deux oeuvres s\u2019arr\u00eate l\u00e0, car leur forme est totalement diff\u00e9rente.<\/p>\n<p>Ici, le r\u00e9alisateur cherche avant tout l\u2019\u00e9tincelle \u00e0 grands coups d\u2019exp\u00e9rimentation,\u00a0 il privil\u00e9gie l\u2019\u00e9nergie, les instants de v\u00e9rit\u00e9 sans se soucier d\u2019\u00e9pouser une narration et une grammaire classiques. Hach\u00e9, parfois tortueux, son film adopte une forme de spirale o\u00f9 on suit chaque personnage avant de les retrouver tous ensemble pour un face \u00e0 face final o\u00f9 chacun devrait enfin pouvoir affronter le regard de l\u2019autre\u2026 Mais le message est clair\u00a0: le moment o\u00f9 tous se confrontent ne peut donner lieu qu\u2019\u00e0 une communication biais\u00e9e, incompl\u00e8te. Et \u00e0 beaucoup d\u2019incompr\u00e9hension. Les univers de ces jeunes adultes sont tellement diff\u00e9rents qu\u2019il n\u2019y a plus entre eux de passerelles \u00e9videntes pour les rapprocher.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.cinevox.be\/tokyo-anyway-vie-trente-ans\/1001260_572027546192403_983763709_n\/\" rel=\"attachment wp-att-46350\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-46350\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/2013\/10\/1001260_572027546192403_983763709_n-800x328.jpg\" alt=\"\" width=\"640\" height=\"262\" srcset=\"https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1001260_572027546192403_983763709_n-800x328.jpg 800w, https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1001260_572027546192403_983763709_n-480x197.jpg 480w, https:\/\/w-l-c.be\/wp-content\/uploads\/2013\/10\/1001260_572027546192403_983763709_n.jpg 960w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Du coup, quand on ne trouve plus les mots, on fuit\u00a0: c\u2019est donc sur une sc\u00e8ne sauvage, apoth\u00e9ose logique et triste que se referme presque ce film atypique qui a visiblement captiv\u00e9 un public compos\u00e9 essentiellement de cin\u00e9philes attentifs, assez jeunes et tr\u00e8s enthousiastes.<\/p>\n<p>Tokyo Anyay n\u2019a pas encore de distributeur, mais il est plut\u00f4t griff\u00e9 \u00ab\u00a0film de festivals \u00bb. On l\u2019imagine bien traverser le monde dans des manifestations plus ou moins underground o\u00f9 on recherche des formes nouvelles d\u2019expression cin\u00e9matographique, peu conventionnelles, libres.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.cinevox.be\/tokyo-anyway-vie-trente-ans\/tokyo_anyway-2\/\" rel=\"attachment wp-att-63046\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-63046\" src=\"http:\/\/www.cinevox.be\/wp-content\/uploads\/2014\/09\/Tokyo_Anyway.jpg\" alt=\"\" width=\"714\" height=\"282\" srcset=\"https:\/\/w-l-c.be\/wp-content\/uploads\/2014\/09\/Tokyo_Anyway.jpg 714w, https:\/\/w-l-c.be\/wp-content\/uploads\/2014\/09\/Tokyo_Anyway-480x189.jpg 480w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Au-del\u00e0 de la d\u00e9marche courageuse et intransigeante du r\u00e9alisateur on notera la prestation impressionnante des com\u00e9diens parmi lesquels en toute subjectivit\u00e9 on \u00e9pinglera Benjamin Ramon \u00e9voquant assez \u00e9tonnamment le Brad Pitt de Fight Club. \u00a0Ce qui n&rsquo;enl\u00e8ve rien aux prestations de Violette Pallaro, Emilie Mar\u00e9chal, AntojO, Sophie Maillard, tous d&rsquo;incontestables r\u00e9v\u00e9lations sur le grand \u00e9cran.<\/p>\n<p>Et on terminera en soulignant la bande originale du film compos\u00e9e en deux semaines par un duo \u00e9lectro dont on devrait entendre reparler tr\u00e8s vite, R.I.P. Bonaparte.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00e9couvert\u00a0au festival du film francophone de Namur, Tokyo Anyway sort en salles ce mercredi 1er octobre.<\/p>\n","protected":false},"author":7,"featured_media":46352,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10,7],"tags":[],"class_list":["post-46344","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-a-l-affiche","category-actualites"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tokyo Anyway : la vie \u00e0 trente ans - w-l-c<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tokyo Anyway : la vie \u00e0 trente ans - 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