{"version":"1.0","provider_name":"w-l-c","provider_url":"https:\/\/w-l-c.be\/nl\/","author_name":"Kurt.Vandemaele","author_url":"https:\/\/w-l-c.be\/nl\/author\/kurt-vandemaele\/","title":"Jan Decleir over de Belgische film van Nabil Ben Yadir - w-l-c","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"0fZEyFAdA4\"><a href=\"https:\/\/w-l-c.be\/nl\/jan-decleir-belgische-film-nabil-yadir\/\">Jan Decleir over de Belgische film van Nabil Ben Yadir<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/w-l-c.be\/nl\/jan-decleir-belgische-film-nabil-yadir\/embed\/#?secret=0fZEyFAdA4\" width=\"600\" height=\"338\" title=\"&#8220;Jan Decleir over de Belgische film van Nabil Ben Yadir&#8221; &#8212; w-l-c\" data-secret=\"0fZEyFAdA4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/w-l-c.be\/wp-content\/uploads\/2017\/01\/Schermafbeelding-2017-01-23-om-19.54.59.png","thumbnail_width":1440,"thumbnail_height":900,"description":"&#8216;Dode Hoek&#8217; is een echte Belgische film. \u00a0En ook een unieke politieke thriller. \u00a0Goed idee van Nabil Ben Yadir, zo vindt Jan Decleir, om een verhaal te vertellen waarbij beide gemeenschappen van ons land betrokken zijn. \u00a0Een heel pittig verhaal bovendien. &nbsp; Zie ook : Jan Decleir over hoe de gemeenschappen uit elkaar gerukt worden &hellip;"}