
{"id":206055,"date":"2018-01-06T14:15:05","date_gmt":"2018-01-06T13:15:05","guid":{"rendered":"http:\/\/www.cinevox.be\/?p=206055"},"modified":"2018-01-06T14:16:04","modified_gmt":"2018-01-06T13:16:04","slug":"gilles-schryver-resurrection","status":"publish","type":"post","link":"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/","title":{"rendered":"Gilles De Schryver over &#8216;Resurrection&#8217;"},"content":{"rendered":"<p><strong>Gilles De Schryver<\/strong>, je kent hem nog wel, die mooie, jonge blonde God uit <em>&#8216;Code 37&#8217;<\/em> en <em>&#8216;Hasta La Vista&#8217;<\/em>, bij de theatergangers wereldberoemd omwille van zijn werk bij het KIP, maar de laatste jaren voornamelijk actief als producent bij de Wereldvrede, waar hij zijn compaan <strong>Gilles Coulier<\/strong> ondersteunde bij het maken van <em>&#8216;Bevergem&#8217;<\/em> en &#8216;Cargo&#8217;. Wel, diezelfde Gilles De Schryver speelt nu samen met<strong> Johan Leysen<\/strong> de hoofdrol in <em>&#8216;Resurrection&#8217;<\/em> van <a href=\"http:\/\/Kristof Hoornaert\"><strong>Kristof Hoornaert<\/strong><\/a>, een contemplatieve, uitdagende film over een jongeman die opgevangen wordt door een kluizenaar in een afgelegen streek. Wat het verleden is van die jongeman en wat het verhaal is van die oude man, daar komen we langzaam achter. Heel langzaam. \u00a0&#8216;Resurrection&#8217; is een film die eruitspringt, onder meer doordat hij zo anders durft te zijn. \u00a0En ook van de acteurs vergde het wel wat moed om er in mee te gaan. \u00a0We spraken voor de wereldpremi\u00e8re op het Film Fest Gent met Gilles De Schryver.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gilles De Schryver, je kent hem nog wel, die mooie, jonge blonde God uit &#8216;Code 37&#8217; en &#8216;Hasta La Vista&#8217;, bij de theatergangers wereldberoemd omwille van zijn werk bij het KIP, maar de laatste jaren voornamelijk actief als producent bij de Wereldvrede, waar hij zijn compaan Gilles Coulier ondersteunde bij het maken van &#8216;Bevergem&#8217; en &hellip;<\/p>\n","protected":false},"author":8,"featured_media":206054,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[41],"tags":[566,256,564,817,664],"class_list":["post-206055","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-interviews-nl","tag-de-wereldvrede","tag-gilles-coulier","tag-gilles-de-schryver","tag-johan-leysen","tag-kristof-hoornaert"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gilles De Schryver over &#039;Resurrection&#039; - w-l-c<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gilles De Schryver over &#039;Resurrection&#039; - w-l-c\" \/>\n<meta property=\"og:description\" content=\"Gilles De Schryver, je kent hem nog wel, die mooie, jonge blonde God uit &#8216;Code 37&#8217; en &#8216;Hasta La Vista&#8217;, bij de theatergangers wereldberoemd omwille van zijn werk bij het KIP, maar de laatste jaren voornamelijk actief als producent bij de Wereldvrede, waar hij zijn compaan Gilles Coulier ondersteunde bij het maken van &#8216;Bevergem&#8217; en &hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/\" \/>\n<meta property=\"og:site_name\" content=\"w-l-c\" \/>\n<meta property=\"article:published_time\" content=\"2018-01-06T13:15:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-01-06T13:16:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/w-l-c.be\/wp-content\/uploads\/2018\/01\/IMG_1958-e1515244160982.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"618\" \/>\n\t<meta property=\"og:image:height\" content=\"412\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Kurt.Vandemaele\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Geschreven door\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kurt.Vandemaele\" \/>\n\t<meta name=\"twitter:label2\" content=\"Geschatte leestijd\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minuut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/\",\"url\":\"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/\",\"name\":\"Gilles De Schryver over 'Resurrection' - w-l-c\",\"isPartOf\":{\"@id\":\"https:\/\/w-l-c.be\/fr\/#website\"},\"datePublished\":\"2018-01-06T13:15:05+00:00\",\"dateModified\":\"2018-01-06T13:16:04+00:00\",\"author\":{\"@id\":\"https:\/\/w-l-c.be\/fr\/#\/schema\/person\/f475ac81c30903d8505475024494c658\"},\"breadcrumb\":{\"@id\":\"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/#breadcrumb\"},\"inLanguage\":\"nl-NL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/w-l-c.be\/nl\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gilles De Schryver over &#8216;Resurrection&#8217;\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/w-l-c.be\/fr\/#website\",\"url\":\"https:\/\/w-l-c.be\/fr\/\",\"name\":\"w-l-c\",\"description\":\"Le cin\u00e9ma vu par les belges\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/w-l-c.be\/fr\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"nl-NL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/w-l-c.be\/fr\/#\/schema\/person\/f475ac81c30903d8505475024494c658\",\"name\":\"Kurt.Vandemaele\",\"url\":\"https:\/\/w-l-c.be\/nl\/author\/kurt-vandemaele\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Gilles De Schryver over 'Resurrection' - w-l-c","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"nl_NL","og_type":"article","og_title":"Gilles De Schryver over 'Resurrection' - w-l-c","og_description":"Gilles De Schryver, je kent hem nog wel, die mooie, jonge blonde God uit &#8216;Code 37&#8217; en &#8216;Hasta La Vista&#8217;, bij de theatergangers wereldberoemd omwille van zijn werk bij het KIP, maar de laatste jaren voornamelijk actief als producent bij de Wereldvrede, waar hij zijn compaan Gilles Coulier ondersteunde bij het maken van &#8216;Bevergem&#8217; en &hellip;","og_url":"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/","og_site_name":"w-l-c","article_published_time":"2018-01-06T13:15:05+00:00","article_modified_time":"2018-01-06T13:16:04+00:00","og_image":[{"width":618,"height":412,"url":"https:\/\/w-l-c.be\/wp-content\/uploads\/2018\/01\/IMG_1958-e1515244160982.jpg","type":"image\/jpeg"}],"author":"Kurt.Vandemaele","twitter_card":"summary_large_image","twitter_misc":{"Geschreven door":"Kurt.Vandemaele","Geschatte leestijd":"1 minuut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/","url":"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/","name":"Gilles De Schryver over 'Resurrection' - w-l-c","isPartOf":{"@id":"https:\/\/w-l-c.be\/fr\/#website"},"datePublished":"2018-01-06T13:15:05+00:00","dateModified":"2018-01-06T13:16:04+00:00","author":{"@id":"https:\/\/w-l-c.be\/fr\/#\/schema\/person\/f475ac81c30903d8505475024494c658"},"breadcrumb":{"@id":"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/#breadcrumb"},"inLanguage":"nl-NL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/w-l-c.be\/nl\/gilles-schryver-resurrection\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/w-l-c.be\/nl\/"},{"@type":"ListItem","position":2,"name":"Gilles De Schryver over &#8216;Resurrection&#8217;"}]},{"@type":"WebSite","@id":"https:\/\/w-l-c.be\/fr\/#website","url":"https:\/\/w-l-c.be\/fr\/","name":"w-l-c","description":"Le cin\u00e9ma vu par les belges","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/w-l-c.be\/fr\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"nl-NL"},{"@type":"Person","@id":"https:\/\/w-l-c.be\/fr\/#\/schema\/person\/f475ac81c30903d8505475024494c658","name":"Kurt.Vandemaele","url":"https:\/\/w-l-c.be\/nl\/author\/kurt-vandemaele\/"}]}},"_links":{"self":[{"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/posts\/206055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/comments?post=206055"}],"version-history":[{"count":0,"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/posts\/206055\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/media\/206054"}],"wp:attachment":[{"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/media?parent=206055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/categories?post=206055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/w-l-c.be\/nl\/wp-json\/wp\/v2\/tags?post=206055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}